Program Book

On the Eve of abolition

In an effort to reduce paper waste, we have stopped printing full show programs. Instead, we’ve created a small printed piece with the essentials that all audiences receive which then links to a complete digital program.

OCT 31—NOV 03, 2024
Emerson Paramount Center
Robert J. Orchard Stage


“Through the magic of puppet and mask theater, we invite our audience to join us on a journey to the year 2047, and into a multimedia experience towards the creation of a new, liberated world, only possible through love and the revolutionary spirit of collective resistance. The Eve is Now!”

-PAPEL MACHETE

Dearest ArtsEmerson Friends,

The year is 2047 and formerly incarcerated people, organizers, and families across the liberated lands formerly known as the United States and Mexico have come together to end the last remaining prison as we know it. This is the future that is imagined in On the Eve of Abolition. Through a stunning multimedia blend of puppets, video projection, and miniature sets–this inventive piece is a beautiful rallying cry for creating a better future for us all. 

Led by the visionary artists at Papel Machete and the team at AgitArte, On the Eve of Abolition centers Puerto Rican voices and, through their partnership with Prison Radio, amplifies the voices and artistry of political prisoners and incarcerated artists. We are grateful to the entire creative team at Papel Machete, and, in particular, founder, creator and Emerson Alumni Jorge Diaz for his passion to bring On the Eve of Abolition to Boston. 

A vision such as this one is only possible through collaboration and support. I am thrilled that On the Eve of Abolition is robustly supported by the Mayor’s Office of Arts and Culture. It is so meaningful to have the City of Boston join us in this act of imagination. Additionally, we are honored to co-present this piece with Ágora Cultural Architects, co-founded by creative powerhouse (and World Alive! Honoree) Elsa Mosquera-Sterenberg. Their commitment to amplifying Puerto Rican artists and stories on our stages is extraordinary and we are so thankful for their partnership. 

As we close out the first half of our 24-25 Season, I would like to express my immense gratitude to our dear ArtsEmerson community, audiences, and staff for your unwavering support and dedication to artists from around the globe who dare to imagine and create a more just world. To create such a world, we need everyone. Thank you for imagining it with us.

Sincerely,

Ronee Penoi Signature

Ronee Penoi
Interim Executive Director of the Office of the Arts and ArtsEmerson
Director of Artistic Programming


This project is supported in part by the National Endowment for the Arts.

Show Credits

Written by
Papel Machete

Puppeteers and Mask Performers
Agustín Muñoz Ríos
Brenda Plumey
Charmaine Santiago
Deborah Hunt
Dey Hernández Vázquez
Fran de Paula
Francisco Iglesias
Joseph Therrien
Jorge ‘Cano Cangrejo’ Díaz Ortiz
José ‘Primo’ Hernández Díaz
Juan Pablo Vizcaíno Cortijo
Mar Parrilla
Marcel Santiago
Marian Annette Rodríguez Morales
Sam Wilson
Sugeily Rodríguez Lebrón
Tina Orlandini
Yamillex Montañez Lugo
Yaraní Del Valle

Music
Agustín Muñoz Ríos
Aníbal “eL S.” Vidal Quintero
Jorge ‘Cano Cangrejo’ Díaz Ortiz
Lizbeth ‘Liz’ Román
Mariela Mendoza Solís
Sugeily Rodríguez Lebrón

Voice of Prisoner 35744
Rob Thelusma

Voice of Prologue
Mumia Abu-Jamal

Poem in Security Cam Video
Leonard Peltier

Voice in Prisoner Scene
Krystal Clark

Message from Red at the End
Pitt Panther

Director
Jorge ‘Cano Cangrejo’ Díaz Ortiz

Producers
Jorge ‘Cano Cangrejo’ Díaz Ortiz
Sugeily Rodríguez Lebrón

Direction Team
Deborah Hunt
Sugeily Rodríguez Lebrón

Assistant to the Director
Brenda Plumey

Puppet and Mask Designer/Director
Deborah Hunt

Vejigante Mask Construction
Juan Pablo Vizcaíno Cortijo

Bomba Workshop Facilitator
Lío Villahermosa

Costume Design
Deborah Hunt
Jorge ‘Cano Cangrejo’ Díaz Ortiz
Marian Annette Rodríguez Morales
Sugeily Rodríguez Lebrón

Stage Manager
Arleen Stewart

Production Team
Cristina Sesto
Yamillex Montañez Lugo

Lighting Design
Leonardo Aguilú
Luis Felipe Rivera Santiago

Lighting Technician
Luis Felipe Rivera Santiago

Video Direction and Stop Motion Animation
Deborah Hunt
Joseph Therrien
Jorge ‘Cano Cangrejo’ Díaz Ortiz

Camera
Joseph Therrien
Jorge ‘Cano Cangrejo’ Díaz Ortiz
Juan Carlos Dávila
Lidy Paoli
Osvaldo Budet
jazz franklin

Video Editing
Aníbal ‘eL S.’ Vidal Quintero
Joseph Therrien
Jorge ‘Cano Cangrejo’ Díaz Ortiz
Osvaldo Budet

Illustrators / Visual Artists
Dey Hernández Vázquez
Estefanía Rivera Cortés
Jose ‘Primo’ Hernández Díaz
Marian Annette Rodríguez Morales
Pitt Panther
Sugeily Rodríguez Lebrón
Tina Orlandini

Set Design and Construction
Deborah Hunt
Dey Hernández Vázquez
Jorge ‘Cano Cangrejo’ Díaz Ortiz
José ‘Primo’ Hernández Díaz
Marian Annette Rodríguez Morales
Sugeily Rodríguez Lebrón

Shadows and Miniatures Design and Construction
Deborah Hunt
Dey Hernández Vázquez
Joe Therrien
Sugeily Rodriguez Lebrón
Tina Orlandini

Puppet, Mask & Pop Up Design and Construction
Deborah Hunt
Dey Hernández Vázquez
Jorge ‘Cano Cangrejo’ Díaz Ortiz
Sugeily Rodríguez Lebrón
Tina Orlandini

Builder Collaborators
Brenda Plumey
Anamarys Jiménez
Carlos José ‘Gandul’ Torres
José A. Díaz Aparicio
Kathya Torres
Mariselis Martínez
Maryann Colella

Documentation
Anabel Vázquez Rodríguez
Cine Luz Negra
Osvaldo Budet
Pedro Iván Bonilla
Ricardo Álcaraz
Tina Orlandini

Special Thanks
A Blade of Grass, Ágora Cultural Architects, Albert Woodfox, Alexis Ortiz, ArtsEmerson, Cara Mía Theater, Centro de Economía Creativa, Dan Fox and Wondersmith Audio, Danza Orgánica, Kathia Castillo, the Jobin-Leeds Family, Kevin Becerra, Natalia Calderón, Noel Hanrahan, MAP Fund, National Performance Network, Oscar Buruca, Pregones/Puerto Rican Traveling Theater, Tamia Rashima Jordan

Support for this Presentation
This presentation of On the Eve of Abolition was made possible with funding by: the New England Foundation for the Arts’ National Theater Project, with lead funding from the Mellon Foundation and additional funding from the Doris Duke Foundation; The Mayor’s Office of Arts & Culture, City of Boston; Creative Capital; and Centro de Economía Creativa. 

Artist Note

On the Eve of Abolition Community Engagement
A major component of On the Eve of Abolition is engagement with prison abolitionists, abolitionist organizations, and currently and formerly incarcerated people and their families. Our commitment for this project is to create a vision of an abolitionist future and offer pathways to engage in organizing toward the abolition of the prison industrial complex. For our show in Boston, we welcome our community partner, Prison Radio, who will be tabling in the upper lobby area of the theater and will have a letter-writing station for our incarcerated collaborators, Krystal Clark and Pitt Panther. Please stop by their table to learn more and support their important work. AgitArte will also have a table with new On the Eve of Abolition swag, as well as information about community partner Sisters Unchained.

Participación comunitaria de la víspera de la abolición
Uno de los principales componentes de La víspera de la abolición es el compromiso con les abolicionistas de las prisiones, organizaciones abolicionistas y personas encarceladas o excarceladas y sus familias. Nuestro compromiso con este proyecto es crear una visión de un futuro abolicionista y ofrecer vías para organizarse a favor de la abolición del complejo industrial penitenciario. En nuestra performance en Boston, le damos la bienvenida a nuestro colaborador comunitario, Prison Radio, que estará presente en el vestíbulo arriba del teatro y tendrán una estación de escritura de postales para nuestros colaboradores encarcelados, Krystal Clark y Pitt Panther. Pasa por su mesa para obtener más información y apoyar su importante labor.  AgitArte también tendrá una mesa con mercancía solidaria de La víspera de la abolición, así como información sobre nuestro colaborador comunitario Sisters Unchained.

 

Scenes

Introduction

“The quest for abolition: How do we arrive at this place we call abolition? What are the roads to such a destination? We arrive from the almost lost lessons of history shaped by generations of ancestors who struggled their whole lives for that rare breath of freedom, and yearned with all their hearts that we, their prodigy, would one day breathe free air. For abolition stands for the long hard struggle against slavery, abolition meant the destruction of that system and the beginning of freedom. For a brief moment in time, freedom dawned over the land, but it was a mirage, a lie usurped by the greater lie of white supremacy, which plunged people into the darkness of terror and death, in fact, slavery by another name. Those unholy origins lead to the specter of mass incarceration. The greatest incarceration of juveniles in global history. The systems of white supremacy, of ruthless capitalism and labor exploitation, led to the monster now before us, what activists rightly call DBI, Death By Incarceration or lifeless sentences of life, forever. The presence and threat of prisons doesn’t create, it doesn’t treat, it doesn’t help, it feeds, it harms, it cripples, and yes it kills, it is the institutionalization of meanness, plain and simple. Prison abolitionist and noted scholar Dr. Ruth Wilson Gilmore stated: ‘Abolition requires we change one thing, which is everything.’ Now is the time. With Love, Not Fear. This is Mumia Abu-Jamal.”

Scene I 

The Fleet: Tanco and the Caribbean Revolution
Led by Tanco, a delegation of the Liberation Fleet rises in a maritime rebellion against imperial forces, forging alliances, reclaiming freedom, and uniting the Caribbean in a journey toward abolition.

“There are still many stories to be told about the revolution of our peoples. Even more so, when the defeat of the empire which consumed the Caribbean, seemed impossible. Yet, it happened, “pasó”…

In the face of the imminent collapse of the Empire, those of us on the path of the struggle for liberation, united. We fulfilled the dreams of our ancestors. “Nuestra fuerza revolucionaria”. Our revolutionary fervor raised the seas in an upswell of victories. 

It all began with a maritime blockade at the ports in response to the constant hikes of food prices and basic necessities. We continued the rebellion by intercepting their shipping routes and taking over their cargo ships and boats. We formed a small fleet, fueled by the necessity of our survival. Our successful efforts of solidarity throughout the Caribbean grew into a larger Liberation Fleet, “Nuestra Flota Libertaria.” Our Fleet enabled us to free the seas and defeat the monster choking us. 

Navigating the Caribbean, Imani, abolitionist and organizer from Bulbancha, seeks support from Neva, revolutionary of La Brigada Vejigante and Tanco, Commander of La Flota Libertaria. Imani lays out her strategy to free the people incarcerated in Angola Prison. Neva and Tanco pledge their support and together they embrace their collective struggle for liberation.   

Probamos la libertad 

en los labios de una boca que no calla

que no calla (2X)

Nos miramos a los ojos

el reflejo reafirmó

el destino, que trazamos

florecieron los capullos 

y se izaron las banderas

En victoria, cantando:              

(Choir) 

 “¡Viva la libertad!,   ¡Viva la libertad!,  

  ¡Viva la libertad!,   ¡Viva la libertad!

Now, we forged the Caribbean Alliance. In Matanzas, Cuba, we sealed our pact of solidarity for a new Caribbean. Under a majestic flock of birds, we set sail. “¡Zarpamos!”

A delegation of The Liberation Fleet, now heads from the Caribbean to Bulbancha, to join forces with the Liberated Peoples Front of Southern North America.              

 (Choir) 

“Viva la Alianza Antillana, Viva la Libertad” 

Scene II

Uprising
In the year 2047, an uprising unfolds inside a water bottling facility beneath the WGS Supermax Correctional Facility. Imani, a seasoned resistance leader captured in the abolition of Angola Prison in Bulbancha,  and her comrade Red, a revolutionary, long imprisoned at the correctional facility together with inmates, Soledad and Ángel, lead a revolt against the prison system, only to face a crushing annihilation.

Scene III

Guard suit-up / Wind Green Springs News Radio
As a guard suits up for his shift, a broadcast of Wind Green Springs News Radio covers the recovery from the recent “prison riots” and the corporation’s efforts to secure the water supply essential for the United Space Colonies.

Scene IV

The Lockdown
The guards enforce a prison lockdown. Meanwhile, an infomercial about Wind Green Springs paints a stark contrast between the idyllic image of the community and the harsh realities of the prison system. 

Scene V 

Bulbancha
In an abolitionist camp outside the prison walls, Mawa, an abolitionist organizer, announces the latest updates from the Caribbean Alliance and the Vejigante Brigade. Neva, an abolitionist organizer and storyteller from Borikén, and her comrades, the Vejigantes, journey to Bulbancha to meet with Salamanquesa, of the Unitarian Guerrilla, elder organizer of the collective efforts to liberate Angola Prison. There and after she traced for them the safe passage to the Free the Springs Abolition camp and the prison, they make plans to disrupt the water distribution to the wealthy space colonies and liberate the waters from Wind Green Springs.

Scene VI 

Journey to Appalachia
Neva embarks on a trek through a post-cataclysmic landscape from Bulbancha to Appalachia towards the abolitionist camp.  On her way, she meets with Atsila, Commander of The Liberated People’s Front as the abolitionists prepare for the next phase of their fight.

Scene VII 

Neva Arrives at Free the Springs Abolition Camp
After arriving at her tent, Atsila hands Neva a letter from comrade Red with news from inside.

Scene VIII

Red’s Letter to Neva and The Prison Blueprint
Red writes to Neva from prison, expressing his sorrow about Imani and others who died in the January uprising.  However, he remarks on the prison’s struggles with power and the mass exodus of guards which complicates the Warden’s control. Meanwhile, at the abolitionist camp, Ramón, the logistics commander and Mawa present the prison’s blueprints to Commander Atsila and discuss strategies to take down the WGS Supermax Correctional Facility.

Scene IX

The Warden
The Warden discovers the abolitionist camp being set up outside the prison walls, causing panic as the guards report difficulties in restoring power to their defense systems. 

Scene X 

State of WGS Supermax Correctional
During a live broadcast, the Warden announces an “unprecedented attack” by abolitionists and reveals that inmate Red is scheduled for execution. 

Scene XI 

The Powells
In a sitcom-style sequence, Susan Powell, Vice President of Operations for Wind Green Springs, expresses her frustration about their dwindling town and the exodus of its residents to her husband Joe Powell, a Lieutenant who works at WGS Correctional.

Scene XII

 The Abolitionists
As night falls at the Free the Springs abolitionist camp, Mawa and Ramón mobilize the group, emphasizing the urgency of their preparations. Guadalupe, a member of Las Adelitas Liberated Peoples Front speaks about her role as a Water Protector, recounting the struggles of her people during the Great Aridification and rallying the abolitionists to unite in their fight against the prison’s exploitation of water resources.

Scene XIII 

Neva at Free the Springs Abolition Camp
Neva shares powerful stories of survival, resistance, and solidarity with her fellow abolitionists, calling for unity and action to dismantle oppressive structures, while honoring those who sacrificed for liberation.

Scene XIV

Glitches in the Virtual Imaging System
The Warden, increasingly agitated by the security monitor’s glitchy footage and a haunting call, orders her guards to stabilize the situation and heads to the Water Plant.

“Sometimes in the shadowed night I become spirit.

The walls, the bars, the gratings dissolve into light

and I unloosen my soul

and fly through the inner darkness of my being.

I become transparent,

a bright shadow,

a bird of dreams singing from the tree of life.”

–Leonard Peltier

Scene XV

The Prison Water Bottling Facility
The Warden visits the water bottling facility plant, where prisoners labor under harsh conditions. As tension escalates, a child suffers an injury and the prisoners unite to strike.

Scene XVI

The Vejigantes Have Arrived
A guard informs the Warden of the arrival of abolitionists who have breached the virtual imaging systems heading towards the town.

Scene XVII 

The Vejigante Hack Attack
The Vejigantes gather to set up the scramblers and hack the Virtual Imaging Systems.  

Scene XVIII 

The Train Take Over
The Vejigantes ambush a train headed towards the WGS Supermax Correctional Facility and liberate the prisoners on board. 

Scene XIX

July Eclipse Liberation
The Warden prepares for the end as the prisoners revolt, overpowering guards and initiating the July Eclipse Liberation, the last day of the last prison of The Remaining States of the US. 

 “Abolition is not a phoenix rising from the ashes, it is a butterfly, a brilliant metamorphosis into a new reality.”

–Pitt Panther

La abolición no es un ave Fénix que resurge de las cenizas, es una mariposa, una brillante metamorfosis hacia una nueva realidad”.

¡Viva la Alianza Antilla!

¡Viva la libertad!  

¡Viva la libertad!

¡Viva la libertad!

¡Viva la libertad!

¡VIVA LA LIBERTAD!

Artist Bios

jorge ‘cano cangrejo’ dÍaz ortiz

Jorge co-founded AgitArte in 1997 and is Co-Director; he is also editor of the book When We Fight, We Win! He is a puppeteer, dj, popular educator, and bicultural organizer with over 20 years of experience. Jorge is deeply committed to working class struggles against oppressive systems, namely colonialism, patriarchy, white supremacy, and capitalism. He is a founding member of Papel Machete, a collective of radical artists and street theater/puppetry workers dedicated to education, agitation, and solidarity work in 21st-century Puerto Rico and its diaspora. Tough decisions are made collectively, Jorge’s razor-sharp political analysis and understanding guide much of AgitArte’s work. He also provides political and ideological mentorship to the team. Jorge received his BA in Mass Communication from Emerson College in Boston, MA. He strives to be a rigorous, organic intellectual and is currently based in his hometown of Santurce, PR.

IG: @canocangrejo

Sugeily RodrÍguez LebrÓn
Sugeily (Su) is Co-Director of AgitArte, a member of Papel Machete, and a performance artist, puppeteer, and visual artist. Su is a force and key cultural organizer on the ground in Puerto Rico as coordinator of Casa Taller Cangrejera, AgitArte’s cultural organizing space. She is a committee member of Titeretada, an annual event that celebrates   puppetry.  With Deborah Hunt she ran Teatro Estudio Yerbabruja until 2011. She was Program Coordinator for the Festival Casals de Puerto Rico and Festival Interamericano de las Artes in the Corporation of Musical Arts for over a decade. After Hurricane María hit, Su played a significant role in organizing and distributing aid and food and coordinated with Papel Machete and other artists’ art workshops and performances with the Centros de Apoyo Mutuo (CAMs). She received her BA in History from the University of Puerto Rico. Su is from Gurabo and is currently based in Santurce, PR.

IG: @sugeilyrodriguez.lebron

Deborah Hunt
Deborah Hunt is the founder of Maskhunt Motions, a nomadic laboratory for experimental theatre work specializing in animated forms. She is a mask maker, mask performer, puppeteer, and performance artist. From 1972 she has worked as a cultural practitioner, creating, and presenting original theatre works and performances, working with communities in collaborations, festivals and encounters in the Pacific, the Americas, Europe, the Middle East, and Asia. She was born in New Zealand and has resided in Puerto Rico since 1990. “My practice is focused on and explores puppetry and mask work in public /private spaces. I am interested in performing in unconventional places and to audiences that do not necessarily go to theatres. I describe my work as theatre of the useless.” Publications: Masks and Masked Faces and `Puppets, Puppetry and Gogmagog.

IG: @maskhunt
YouTube: DeborahHunt/MaskhuntMotions

José ‘Primo’ Hernández Diaz
José is AgitArte’s Visual Art Director and leads Datos y Dibujos, a critical project that facilitates rapid cultural response with powerful imagery and political analysis. He has illustrated several award-winning YA novels including Ediciones SM Barco de Vapor’s Antrópolis and ICP’s Consultores de Misterios. In addition to creating much of AgitArte’s visual artwork in the last decade, José created the branding and design with Dey Hernández for the When We Fight, We Win! book and podcast and for the annual Titeretada Festival in Puerto Rico with Javier Maldonado-O’Farrill. José is also a puppeteer and has performed in several of Papel Machete’s original pieces. Most recently, his illustration work was highlighted in AgitArte’s social media campaign, #DefiendeLaEducaciónPública, to support the struggle for public education and the campaign, which marks the 2nd Anniversary of Hurricane María. Jose received his BFA in Illustration from the Rhode Island School of Design. He is based in Santurce, PR.

IG: @primo_agitarte

Dey Hernández Vázquez
Bicultural worker, interdisciplinary artista, puppeteer, permaculturist, educator, and designer. Dey is Project Director at AgitArte, a member of Papel Machete and curator, co-producer, and Director of the book and podcast, When We Fight, We Win! Their work centers on collaborative projects and practices like the End the Debt! Decolonize! Liberate Puerto Rico! Scroll project and the cantastoria, If All Lives Matter Cause We Are All Created Equal, Why Are Some Lives More Equal Than Others? with Brooklyn-based quilter Sylvia Hernández. Ella is a Board Member of AgitArte and has designed and directed art workshops and projects with the organization since 2008. In a myriad of formats, Dey creates counter-hegemonic narratives throughout their work while finding joy in the ordinary. Ella received a master of architecture degree from the University of Puerto Rico and is a movement artist with Danza Orgánica, a social justice dance theater company in Boston, MA. Dey lives and works in constant back and forth between Boston and Puerto Rico.

IG: @arkitectita

Francisco Iglesias
Francisco Iglesias (b. 1979, San Juan, Puerto Rico) is an educator, mask maker, puppeteer and actor. He is one of the founding members of the theater company, Y no habia luz (2005). For the past sixteen years, he has worked with the company in the educational, administrative, and artistic areas. From 2004 to 2022 he worked at Saint Francis School where he served as drama teacher and Activities Coordinator. He also coached the Public Speaking and Forensics teams. He received his B.A. from the University of Puerto Rico in Theater Education. He has taken workshops with Caroline Dream, Alex Navarro, Malayerba Theater Group (Ecuador), The Bread and Puppet Theater (Vermont), Galo Balcazar, Tere Marichal and Deborah Hunt. He has represented his country with artistic work presented internationally in Cuba, Chile, Ecuador, and the United States.

Tina Orlandini
Tina is a photographer, cultural worker, and AgitArte’s Development Director. The intersections of culture, community, and solidarity are central to her work and how she moves through the world. From 2012 to 2016, she worked at El Puente, a community-based youth, arts, and social justice organization in Los Sures (Southside of Williamsburg), Brooklyn. Tina first engaged with AgitArte and Papel Machete through a collaborative exhibition in NYC of artwork and creative strategies produced during the University of Puerto Rico student movement of 2010-2011. Tina received her BA in art history and writing from Ithaca College and her MA in Art and Public Policy from NYU Tisch School of the Arts. Tina is a student of the Tamburello (Italian tambourine) and practices traditional songs that come from and honor the lands of the mezzogiorno (Southern Italy). She is from Altadena, CA, and currently lives in New Orleans, LA.

IG: @t.orlandini

AnÍbal “El S.” Vidal Quintero
Aníbal S. Vidal Quintero, was born in San Juan, P.R. on January 14, 1986 and grew up in Luquillo where his studio, El Guiñapo, is located. Since he was a teenager, he has been part of the independent music scene on the island. Aníbal is the keyboardist of the metal band Infectoria, and the drummer of the band, For Eternity. In 2005, together with Brian Ramirez Vicens (EBRS), he recorded his first rap songs and created the group Convulsiones del Texto (C.D.T.). He is the pianist and backing vocalist of the El Macabeo Orchestra. He has also played the role of composer, musical producer, and graphic artist under his rap project, in which he calls himself “eL S.”. Aníbal has eight productions under his project and many collaborations such as El Hijo de Borikén, in which he synergizes his talents with Emil Martínez-Roldán, “El Hijo de Borikén”.

IG: @elsgrams

Marian Annette RodrÍguez Morales
Marian Annette Rodríguez Morales is a multidisciplinary visual artist, puppeteer, set designer, costume designer and PhD student in Literature at CEAPRC. She obtained her B.A. in Sculpture from the University of Puerto Rico and her M.A. in Arts from CEAPRC. She has been part of the Papel Machete collective since 2007. She worked as a humanities professor for 8 years.The Museo de las Américas has several of her art pieces in permanent exhibitions. She has distinguished herself as a set designer and costume designer for the Centro de Bellas Artes de Puerto Rico. In 2022, she performed at the Patricia & Phillip Frost Art Museum in Miami. One of her puppets, “Doña Yeya,” was part of the Puppets of New York exhibition (August 2021-April 2022) at the Museum of the City of New York. Marian was selected for a Mellon Foundation scholarship as a visual artist in the CEC’s Maniobra program. She is currently the Gallery Director of the Museum of Saints and National Art (MUSAN).

IG: @rojo_mandarina

AgustÍn Muñoz rÍos
Agustín Muñoz Ríos is a Puerto Rican musician, singer-songwriter and guitar player. He studied composition in the Puerto Rico Conservatory of Music. He was a member of the board of directors of the Taller de Cantautores cooperative, participating in various recitals in their famed Cafe-Theater in Rio Piedras. He is a founding member of Perros de Pavlov and has been a part of the Papel Machete collective since 2011. He has published articles in print and digital media, including Bandera Roja and Indymedia Puerto Rico, on the political situation and musical scene of his country.

IG: @agustin.munoz.rios

YaranÍ Del Valle Piñero
Yaraní Del Valle Piñero is an actor, singer, voiceover artist and educator. Selected NYC Theatre credits include: BORINQUEN VIVE EN EL BARRIO, LAS RUTAS DE JULIA; ALOHA BORICUA, HARLEM HELLFIGHTERS ON A LATIN BEAT and ¡GUARACHA! (PregonesPRTT); OCTOPUS’ S GARDEN, RUBALEE and ZOETROPE (Caborca Theatre). Film & TV credits include MI PEQUENO MUSICO (PBS PR), CHAMACAS (Web series) MALDEAMORES and LA GRAN DESILUSION. With her music-performance project, PURA’S LAGRIMAS, she aims to comment about her experience as migrant and the devastating effects of colonialism. Yaraní is the Co-founder and Creative Director of CAICU, a cultural platform that implements community-based art projects and supports collaborations between artists in Puerto Rico and its diaspora around the globe.

IG: @layara

JUAN PABLO VIZCAÍNO CORTIJO
Born in Santurce in 1978 and raised in Loíza, Puerto Rico, Juan Pablo Vizcaíno Cortijo has been interested in his town’s arts, music, and traditions since he was a child. He grew up by the river banks of the Río Grande de Loíza and was inspired by its beauty. He also found inspiration in the sea and the rich culture that gave Loíza the name of Puerto Rico’s Capital of Tradition. Juan saw the character of “el vejigante”, one of Loiza’s principal cultural symbols, as a defense of his hometown. He started carving vejigantes in 2006, following the footsteps of the master craftsmen Castor Ayala, Raúl Ayala, Samuel Lind, and Juan Sánchez’. With his Vejigantes masks and art, Juan continues to contribute to his culture in the hope of a better quality of life for all while striving to keep his roots alive. He recently moved back to Puerto Rico after 15 years in the diaspora.

IG: @elancondeloiza

Yamillex MontaÑez Lugo
Yamillex is a Puerto Rican dancer, mother, and choreographer. She is a student and teacher of the body and its movement. Yamillex was part of the modern dance company Hincapié directed by Petra Bravo and has collaborated with other artists in the world of dance, music, theater and the visual arts in and out of Puerto Rico. She works as a yoga instructor and ceramicist, among other things. She directs collaborative video-art projects that combine music and dance to create visual poetry.

IG: @yamiheyy

Joseph Therrien
Joseph Therrien has a BFA in Acting, an MFA in the Puppet Arts from the University of Connecticut, and an MS in Childhood Education from PACE. He has taught theater, music, puppetry, and performance full time and as a teaching artist in New York City for the last 12 years. In addition to teaching, Joe works and performs with other theater groups in and around New York City. In 2011, he founded a puppetry collective called “The People’s Puppets of Occupy Wall Street,” which offers training and support for grassroots community organizations on how to incorporate art and performance into their work. He also works and tours extensively with The Bread and Puppet Theater, performing large-scale political puppet shows worldwide. Joe creates puppet shows of his own and often performs in and around New York City with many collaborators.

IG: joe_yes_yes

Lizbeth ‘Liz’ RomÁn
Puerto Rican interdisciplinary queer artist. Storyteller, theatermaker, and Caribbean singer. Birthing music, song, storytelling, and theater since 2006. Currently, they study and deepen themes of grief, sonorous-creative accompaniment, and diverse techniques of energetic, emotional, spiritual, and physical care. As part of their practice, they share tools to amplify voices and navigate grief and transitions. Together with diverse communities, they create a song and story archive- using live storytelling as a decolonizing medium. Their artistic practice revolves around liberation in all its forms. They have performed their musical and theatrical project in local and international venues: Cuba, Puerto Rico, Chile, Argentina, Spain, Netherlands, Colombia, United States among others. Their record productions, singles, and visual work are available on all digital platforms. Román is currently creating sound accompaniment/sound therapy and is working on their next production.

Osvaldo Budet
Osvaldo Budet is a Puerto Rican artist and graduate of Maryland Institute of College of Art, where he completed his Masters in Fine Arts in painting. His work explores the physical and political dimensions of colonization and post-colonization as a reflection of the culture and the interests of the systems we inhabit. Since 2008 he has been living and working in Berlin, Germany, San Juan, Puerto Rico, NYC, USA, and Australia. He has received numerous awards and residencies, including a fellowship at the Hanse-Wissenschaftskolleg for Advanced Study, Germany, the Leipzig International Art Program, and the Museo del Barrio de Santurce residency. His films have been exhibited internationally and at festivals in San Juan, Tel Aviv, New York, and Berlin. He is a co-producer of When We Fight, We Win!: The Podcast and a contributing artist/videographer to the End the Debt! Decolonize! Liberate Puerto Rico! Scroll.

IG: @osvaldobudet

Peter Kamal Mukuria (“Pitt Panther”)
Peter Mukuria, better known by his artist name “Pitt Panther,” is currently incarcerated at Jessup Correction Institute in Maryland. While imprisoned, he vocalizes the blatant racism in his correctional facility: he has been threatened, not given the haircut service offered to white prisoners, and denied proper facilities such as access to water. He has also been placed in solitary confinement as retaliation for his self-advocacy. Mukuria was born in Nairobi, Kenya, and is currently the Minister of Labor for the Revolutionary Intercommunal Black Panther Party (RIBPP). He is also on the steering committee with the Industrial Workers of the World Incarcerated Workers Organizing Committee (IWW IWOC). Mukuria writes on various topics, from abolition to the COVID-19 pandemic. Mukuria is also a brilliant artist whose work will be featured in The Healing Project’s exhibition. He draws and collages with paper, pencils, and materials he can find, given his incarceration.

IG: @pittpanther_art

ArtsEmerson Donors

Leadership Circle ($50,000+)

Abrams Foundation
Pamela and Bob Adams
Barr Foundation
Boston Arts Summer Institute
Fresh Sound Foundation
Massachusetts Cultural Council
TJX
Ted and Mary Wendell
Marillyn Zacharis

Legacy Circle ($25,000-$49,999)
Marian A. Godfrey
Liberty Mutual Foundation
National Endowment for the Arts
Janet and David Offensend
The Shubert Foundation
Valentine Talland and Nagesh Mahanthappa

Majestic Society ($10,000-$24,999)
Stewart Barns
The Charlotte Foundation
Deborah Munroe Noonan Memorial Fund, Bank of America, N.A., Trustee
Fellowes Athenaeum Trust Fund
Barbara and Amos Hostetter
Peggy Koenig
Alyce and Patrick Lee
David and Christine Letts
Lars Charitable Fund
Omar and Raynya Simmons
Drs. Robert and Shari Thurer

Paramount Society ($5,000-$9,999)
Daryl and Joseph Boren
Boston Medical Center HealthNet
The Burt Family
Estella Restaurant Boston
Marni Grossman
Harvard Allston Partnership Fund
JP Morgan Chase & Co.
M&T Bank
Barry Schaudt
*Shanti
*Uncle Nearest

Marquee Society ($1,000-$4,999)
Alchemy Foundation
Ellen and Richard Calmas
Jim Canales and Jim McCann
Bithiah Carter & Andrew Hoffman
Pamela Coravos and Garrett Stuck in honor of Alyce and Patrick Lee
Dr. Jon Derek Croteau and Justin P. Croteau
Mary E. Darmstaetter
Hans Detweiler and Julieanne Ehre
Rachel Felix
Teri Groome and Paul Belanger
Dwight and Lori Henderson
Benjamin and Sherie Heywood
David Howse
Drs. Lynne and Sidney Levitsky
Fred Lowery
Patrick McVeigh
Faith Montgomery
Rob Orchard
Bernard and Sue Pucker in honor of Alyce and Patrick Lee
Nathan Pusey
Tami and David Rich
Mark and Etta Rosen
Coralie and Stephen Schwartz
Senior Living Residences
Polly Slavet
Jean Walsh and Graham Davies

ArtsEmerson Family ($500-$999)
Anonymous
Edward Boesel
Nick Brooks
Jeffrey Burt
Ronald G. Casty and Susan Mendik
Kristi Dowd
*Flower Wall Boston
Adelaide and Roger Haynes
Jeannette Herrmann and Christopher Owens
Nikki and Freddie Jacobs
Angela Johnson
Esther Lee
Michael J and Lynne A MacWade
New England Foundation for the Arts
Colette Phillips
Anya Phillips Thomas
Paul Rabin and Arlene Snyder
Sue Robinson
Howard Rogut in honor of Jacqueline Weis Liebergott, 11th President of Emerson College
Darryl Settles
Jill and David Silverstein
Carole Simpson
Mark Smith and Elizabeth Brown
Sandra Stratford MD, MSc and Oscar Malcolm
Ann B. Teixeira

ArtsEmerson Friend ($250-$499)
Jon and Matt Andersen-Miller
Anonymous
Robert Berens
Emily Borababy
Meredith Bryan
Nataly Cabrera
Sue Dalelio and Peter Hoffman
Chenita Daughtry
Allison and Greg Dawson
Yuriko Kuwabara and Sunny Dzik
Julia Elvin
Sumru Erkut
Todd Gordon and Susan Feder
Joan and David Genser
Thomas Hanold and Marnie Bolstad
Willie Hicks
Tony Howland
Neida Jimenez
Kathleen Keleher
Richard Laura and Mary Delahanty
Lois Lindauer and Bill Seltz
Lisa Llorente
Rebecca Lowenhaupt and David Meshoulam
Jean Marrapodi
Barbara T Martin
Jessica May
Leigh Mills
Karen Murphy-Lind
Mrs. Elizabeth Nagarajah
Peter Parker and Susan Clare
Suzanne and Bob Petrucci
William S. and Katharine Reardon
Patrick Rivelli
Mary Rivet
Marta T. Rosa
Nalini Sharma
Leah Soffer
Rachel and Mark Winkeller
Ms. Cynthia Yee

ArtsEmerson Patron ($50-$249)
Akiba Abaka
Anonymous (4)
David Armstrong
Jeannine Ayotte
Elizabeth Babcock
Bonnie Baggesen and Ann-Marie Raymond
Sandra and David Baird
Elaine Barlas
Leslie Becker
Martha Berardino
S. Beukema
Joe Blatt
Catherine Bromberg
Wallace Brown in honor of Angela Carter
JoAnn Brown
Helen Chin Schlichte
Susan Chinsen
Mr. Howard Chun
Denella Clark
Monica Cost
Lisa Cousineau
Laura Crary and Tim Hall
Elise Dahan
Robert and Sarah Dorer
Sean Doyle
Stephanie Drayton
Aija Dreimane-Holohan
Nikolay Dubov
Ann Schlesinger
Mark Elenko
Sarnia Etienne-Dupie
Sarah Fader
Stephanie Fan
Mary Jean Farrington
Thomas Ferguson
JaneAnn Fisher
Frances A. Francis
Felice C. Frankel
Nina Friedman
Melissa Gaynor
Steven Giovanniello
Amy Gould
David Govonlu
Isabelle Gusev
Nancy Hanright
Niedre Heckman
Margaret Jacobson
Kyle Johnson
Mary P Keating
Esther Kim
Elena Kingsland
Yuriko Kuwabara and Sunny Dzik
Stewart and Rhonda Lassner
Elizabeth Lear
Erica L and Vinny W
Susan Lester
Howard and Gareth Levy
Nancy and Barry Levy
Phoebe Ling
Linda and Steven Luz-Alterman
D & S Lyons
Andrea McCarthy
Angela Mcconney
Tel McCormick
James McQuivey
Dana Mendenhall
Katherine Messenger
Peggy Miller
David Miller
Michael Mitchell
Amos Monteiro
Lizette Morris
Robert and Laurel Morrison
Elsa Mosquera-Sterenberg
Michael and Michele Nathan
Rob Nelson
Kelly and Chuck Nowlin
Laura O’Neill
Monica Palmer
Sharon & John Parisi
John Petrowsky
Gamalia Pharms
Alexis Dearborn and Brian Pingree
Bruce Price
Sarah Putterman
Jessica and David Reed
Elaine and Art Robins
Ms. Barbara Rodriguez
Sue and Terry Rushfirth
Barbara and Jerry Rutberg in honor of Marillyn Zacharis
Rose Sariol
Mary Schipa
Sabine Schnyder
Deborah Shalom
MJ Shultz
Richard and Faina Smith
Andréa C. Spence
Michael St Germain
Antoniya Statelova
Ms. Maria Steele
Jessie Jeanne Stinnett and Henoch Spinola
Deborah Stone
Quita and Mark Sullivan
Joel Sutherland
Dr. Patricia Suzman
Martha Taub
Alexander M. Tetradze
Joan Thacher and Ed Tiffany
Mary Todesco
Susan Shattuck Truitt
Catherine Truman
Paula Tyack
John and Barbara VanScoyoc
Hannah Verlin
William Walsh
Theodor Weinberg
Judith Weiss
Jaan Whitehead
Emily Williams
Micaela Wilson
Hochan Won
Gregory Wong
Shannon Worthington and Noah Putterman
Jack Wright
Mary and Joseph Wrinn
Steven A. Yakutis and Guy Pugh

The donor listing reflects all gifts of $50+ received between October 15, 2023 – October 15, 2024.

Our deepest thanks to all who have generously contributed gifts in support of ArtsEmerson. Every gift matters!

For corrections to your listing, contact Patricia Chiang at patricia_chiang@emerson.edu.

*Denotes in-kind donation

LAND ACKNOWLEDGMENT

At Emerson College’s Office of the Arts, we hold ourselves accountable to the work of undoing oppression and advancing equity to overcome our city’s bitter history of segregation and racial inequality. As part of this work, we must start by acknowledging that we are residing on the ancestral and unceded lands of the Massachusett people, whose name was appropriated by this Commonwealth. We pay respect to the Massachusett elders past, present and future, the traditional custodians of the lands on which we make and present our art. We acknowledge the truth of violence perpetrated in the name of this country and make a commitment to uncovering that truth through dialogue, partnerships and learning

Accessibility

Exit Plan

SUN, NOV 03 at 2PM
Audio Described Show

SAT, NOV 02 at 8PM
American Sign Language Described Show