The Things Around Us

Program Book

FEB 20—22, 2026

Robert J. Orchard Stage,
Emerson Paramount Center
559 Washington St, Boston, MA 02111

In an effort to reduce paper waste, we have stopped printing full show programs. Instead, we’ve created a small printed piece with the essentials that all audiences receive which then links to a complete digital program.


Dearest ArtsEmerson Friends,

Ahamefule J. Oluo has an extraordinary gift for turning sound, story, and spontaneous moments into something moving and unexpectedly joyful. Their solo show that you’re about to see, The Things Around Us, captures the kind of inventive artistry that ArtsEmerson is proud to champion; work that connects audiences through humor, music, and shared humanity.

Trumpet in hand, Oluo uses live looping to brilliantly build layers of music to dizzying heights—a technically demanding process that they spent more than two years meticulously developing and refining. These stunning songs are in direct conversation with a series of uncanny stories about strangers, acquaintances, and friends–full of unpredictable, delightful twists and turns which Oluo delivers with the perfect timing of a seasoned stand-up comic.

We so strongly believe in Ahamefule J. Oluo’s incredible talents that they have also been selected as this year’s Fresh Sound artist in residency. The Fresh Sound Residency is an annual program that connects artists with students and faculty in the Emerson Community as well as the broader Boston community. Aham follows in a long line of Fresh Sound Residents including Sarah Ruhl, Toshi Reagon, Esperanza Spalding, and Kiki Katese. For the past two weeks, Aham has been visiting classrooms, sharing their craft, and inspiring the next generation of storytellers. Aham is a singular artist and a true innovator, and we are honored to welcome them to Boston.

We hope you enjoy the performance. Thank you for joining us.

Sincerely,

Ronee Penoi Signature
Ronee Penoi
Interim Executive Director of the Office of the Arts and ArtsEmerson
Director of Artistic Programming

Show Credits

Presents

The Things Around US

Composed, Written, & Performed by: Ahamefule J. Oluo (they/them)
Produced by: Roya Amirsoleymani
Lighting Design: Lily McLeod

Artist Statement

There was a moment during the initial run of my first show, Now I’m Fine, in 2014, when I was struck by something I will call, for lack of a better term, a spiritual revelation. I suddenly felt myself within the universe of the show—not just the narrative of the show, or my performance, or the interaction with the audience, but a universe that also encompassed all the other performers on stage, the producers and technicians backstage, the bartender in the lobby who then scurried into a corner seat five minutes after the show started—every person within the space that we shared. It wasn’t that the world outside the theater didn’t exist, but that we had a sort of temporary immunity.

As artists, we were on stage to present the work we had so carefully crafted with the skills we had so diligently honed. Each person I had chosen to work with was chosen not only for their talent, but also for the person they were and the way they treated others. There was a beautiful audience there to absorb, reflect, and accept—who had convened in a room of mostly strangers but had not discarded their vulnerability. And no one was trying to hurt anyone, no one was trying to trick anyone, and everyone was there for the expressed purpose of growing together in that brief window of time. For the first time, I truly understood the idea of “utopia,” and from that moment on, I dedicated my life to the pursuit of these utopias.

It is tempting, even for me, to suggest that what happens in the theater isn’t the real world—that it is a distraction from horrors which cannot be escaped. But that is not true; all life is real life. And it is in these spaces that we can create from scratch a new universe, unpoisoned by greed, fear, and hate—a space where we can still observe the mistakes of our past but are not helplessly doomed to repeat them. Especially in these times, it can feel like we are swimming so hard and barely treading water, on the edge of being sucked out to sea. But remember: it doesn’t matter how hard you swim. If you never come up for air, you will drown. If you do not raise your head above the waterline to look for land, you will lose your way.

All great work—even if by contrast—creates some vision, some idea of what life could be. And for the brief time we are witness to it, we get to live within that vision and know what beauty is possible. The Things Around Us is a small moment I would like to give to you, and share with you. It is a hope, buried in an idea, buried in story and sound. And I believe that by sharing this hope and this breath, we are taking one small step in the direction of creating our new world.

A vinyl record album of the music from The Things Around Us is available for purchase in the lobby of the theater or online at https://oakheadrecords.bandcamp.com/album/the-things-around-us.

Artist Bios

Ahamefule J. Oluo (they/them) is a multi-instrumentalist, composer, writer, comedian, and creator of live performance. They were a member of award-winning experimental jazz quartet Industrial Revelation. They are a Mellon Creative Research Fellow, Creative Capital awardee, MAP Fund awardee, Foundation for Contemporary Arts Creative Research Fellow, FCA Emergency Grant recipient, USArtists International grantee through MidAtlantic Arts Foundation, and Artist Trust Arts Innovator awardee. Oluo premiered Now I’m Fine (2016) and Susan (2020) at The Public Theater’s Under the Radar Festival, both of which were critically acclaimed by The New York Times. Oluo wrote, scored, and starred in the award-winning film Thin Skin (2020), which won Best Director at the Harlem Film Festival; appeared on This American Life; and produced albums by comedians Hari Kondabolu and Dwayne Kennedy. Oluo is co-writer and director of Lindy West’s solo comedy show Every Castle, Ranked. They have written for television, including HBO Max’s Santa Inc. with Sarah Silverman and Seth Rogen. Oluo has received presentation and/or residency support from Transform Festival in Leeds, UK, Under the Radar Festival, Williamstown Theatre Festival, ArtsEmerson, the Historic Asolo Theatre at the Ringling Museum, Cantor Arts Center at Stanford University, The Clarice at the University of Maryland, Fusebox Festival, Portland Institute for Contemporary Art, On the Boards, UW’s Meany Center, Seattle Theatre Group, Seattle Rep, Intiman, Field Hall in Port Angeles, Wa Na Wari, Langston, Yaddo, and MacDowell. The Things Around Us premiered at Portland’s Time-Based Art Festival in Fall 2024 and continues to tour nationally and internationally. A second-generation Seattleite, Oluo is now based on Twana lands on the Olympic Peninsula in rural Washington and remains active in Seattle’s music, comedy, and performance communities. 

Roya Amirsoleymani is a curator, writer, and creative producer in contemporary performance and visual art, based rurally on Twana lands on Washington’s Olympic Peninsula. Currently, she is the producer of new performance works by San Cha, Ahamefule J. Oluo, and Holland Andrews & yuniya edi kwon and serves as a consultant for National Performance Network. She was a co-curator of the 2025 Northwest New Works Festival at Seattle’s On the Boards and was one of four co-curators of the Out of Sight visual art exhibition at Seattle’s beloved Bumbershoot Festival in 2023. From 2012-2023, she was a co-artistic director and curator at Portland Institute for Contemporary Art (PICA), where she curated exhibitions, experimental dance and theatre, residencies, public programs, community events, grant making, and the annual, globally renowned Time-Based Art Festival. Internationally, nationally, and regionally, her practice has also spanned research, curatorial and creative writing, graduate-level teaching, conference papers and panels, symposia, publications, public art, book making, and cultural policy and advocacy. She is an Artist Trust grantee and has held residencies with Centrum in Port Townsend, WA; Sou’wester in Seaview, WA; and Studio Faire in Nérac, France. She is currently developing a long-form experimental narrative and archival project about death and friendship. Across all her work, she strives for anti-racism, equity, and justice.

Special Thanks

The artist and producer would like to thank: Lindy West, Penelope and Charley Oluo, Susan Oluo, Ijeoma Oluo, Jacque Gbalipre, and Eze Oluo; the Amirsoleymani Family; Lily McLeod; Ronee Penoi, Gina Marie Jamieson, Rebecca Frank Oeser and everyone else at ArtsEmerson and Emerson College’s Office of the Arts who has welcomed and supported our engagement; Robert Davis Awkward; John Keister; Andrew Schneider; Joseph Keckler; Jennifer Zeyl; Josh Rawlings; Rachel Ramseur; and the countless institutions and individuals who have championed this work from its earliest iterations.

Funding Credits

The Things Around Us is supported by a grant from The MAP Fund. Its creative development has been supported through residencies and engagements at Yaddo, MacDowell, Portland Institute for Contemporary Art (PICA), Seattle Rep, Wa Na Wari, Langston, and a Mellon Creative Research Fellowship with the University of Washington’s Meany Center for the Performing Arts. The Things Around Us had its world premiere on September 6, 2024 at Portland Institute for Contemporary Art’s Time-Based Art Festival in Portland, Oregon. Its New York City premiere at LaMama ETC as part of the 2025 Under the Radar Festival was supported in part by a Foundation for Contemporary Arts Emergency Grant. The production continues to tour nationally and internationally.

Accessibility

  • This performance includes strobe light effects, loud volumes, and haze.
  • Ear plugs are available through the venue.
  • Some strong language. Recommended for ages 13+.

ArtsEmerson Donors

Leadership Circle ($50,000+)
Barr Foundation
Massachusetts Cultural Council
TJX
Ted and Mary Wendell

Legacy Circle ($25,000-$49,999)
Pamela and Bob Adams
Fresh Sound Foundation
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National Endowment for the Arts (supported presentations of Utopian Hotline and On The Eve of Abolition)
The Shubert Foundation
Valentine Talland and Nagesh Mahanthappa

Majestic Society ($10,000-$24,999)
Anonymous
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Paramount Society ($5,000-$9,999)
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*Uncle Nearest

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Drs. Lynne and Sidney Levitsky
Patrick McVeigh
Faith Montgomery
MTT
New England Foundation for the Arts’ National Theater Project, with lead funding from The Mellon Foundation and support from the Doris Duke Charitable Foundation
Christopher and Nancy Oddleifson
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