By Corrie Glanville Solo act shows offer the performer a rare opportunity to inhabit the theatrical space completely alone and to form a singular relationship with the audience. The Gare...
Read MoreBy Corrie Glanville and Sara Bookin-Weiner Besides making furniture and enforcing sexual abstinence, the Shakers aren’t well known for too many things…indeed, if that! As we gear up for director/choreographer...
Read MoreBy Corrie Glanville FILMS Moby Dick (1956) Although there are numerous film adaptations including a recent television mini-series with William Hurt and Ethan Hawke, John Huston’s 1956 Moby Dick might arguably...
Read MoreWhat did you think of this adaptation of A Doll’s House? Have you seen others? How does it compare to them and to the original? Which did you prefer? Join...
Read MoreBy Alyssa Mulligan At the start of Henrik Ibsen’s iconic play A Doll’s House, Nora Helmer is portrayed as an empty-minded twittering “lark”: frivolously spending money, secretly nibbling on macaroons...
Read Moreby Corrie Glanville FILMS A Doll’s House (1972) While this version may look a bit dated since it is essentially a filmed play, it is worth watching for the extraordinary performances...
Read MoreBy Sara Bookin-Weiner “This is the most important part of Angel Reapers,” director/choreographer Martha Clarke tells me, “—the dogs are happy.” She then feeds her two adoring Pomeranians each a...
Read MoreWhich story from You Better Sit Down: Tales From My Parents’ Divorce resonated most with you? Do you have your own tale you’d like to tell? Join the conversation by...
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tickets@artsemerson.org
617.824.8400
Emerson Paramount Center
559 Washington St, Boston, MA 02111
THU-SAT: 12–6PM
SUN & MON: Closed
TUE-SAT: 12PM–6PM
SUN & MON: Closed
The Emerson Paramount Center and Emerson Cutler Majestic Box Offices are open 2 hours prior to any event. The Emerson Cutler Majestic Box Office is open during performances only.
