April 3, 2011 | Theatre,
“I am more than Amadeus.”
Part two of a three-part series on Oscar-winning actor F. Murray Abraham By Alyssa Mulligan Some may say that the pinnacle of actor F. Murray Abraham’s career was when he...
Read MorePart two of a three-part series on Oscar-winning actor F. Murray Abraham By Alyssa Mulligan Some may say that the pinnacle of actor F. Murray Abraham’s career was when he...
Read MoreBy Jason Rabin What happens when commerce dominates the soul of a society? Shakespeare had some thoughts. It’s a central subject of his The Merchant of Venice, a comedy of...
Read MoreIt’s a thrill for any theatre-goer to witness a transcendent performance; one that takes your breath away, is burnished on your brain forever, and is anchored not in technique and...
Read MoreA patron recently brought to our attention a story printed in Jacob R. Marcus’ The Jew in the Medieval World that illuminates one of Shakespeare’s possible sources for The Merchant...
Read MorePart one of a three-part series on Oscar-winning actor F. Murray Abraham By Alyssa Mulligan Sitting in the Semel Theatre on Emerson’s campus with fellow students and faculty, I anxiously...
Read MoreBy Jason Rabin In his native Britain, Brook is known as a sort of high priest of Avant-Garde Theatre, partly because so many of his projects have had an epic spiritual...
Read MoreThe first day of spring ushers in one of the most active months in our first season with the opening of two works from Peter Brook’s celebrated company from Paris,...
Read MoreBy Jason Rabin Not only does Bruce Myers have pretty much the most legit British stage actor pedigree there is—RADA to the RSC—he’s also rolled with legendary director Peter Brook...
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