October 31, 2017 | Theatre,
The State of Denial & The State of Siege
In May I found myself in Rennes, France, on the eve of that nation’s presidential election. As a part of my responsibilities at ArtsEmerson I travel to see work....
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October 27, 2017 | Events,
2nd Annual World Alive! Celebration
An “Intentionally Different, Entirely ArtsEmerson” Event On October 11th, we gathered for the 2nd annual World Alive! Celebration. This year, donors came together to support the recently launched Gaining...
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October 26, 2017 | What Did You Think?,
What Did You Think About Kiss
Thanks for joining us for Guillermo Calderon’s Kiss. There are so many layers and in the writing and performance of this piece, click here to see excerpts from a conversation...
Read MoreOctober 25, 2017 | Theatre,
Syria, Chile, & The Limits of Theatre: A Discussion with the Author and Director of Kiss
In Kiss, Chilean playwright and director Guillermo Calderón brings his masterful sensibility to an intense, tightly wound story where naiveté can turn out to be the kiss of death....
Read MoreOctober 23, 2017 | Notes From Leadership,
Feeling the Distance of Syria
“Kiss begins on a set. In all of Guillermo’s plays he’s playing on our willingness to suspend our disbelief. Guillermo Calderón grew up in the Pinochet era in Chile. He...
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October 2, 2017 | Theatre, Notes From Leadership,
Using Our Marquees to Foster a Dialogue with our Community
The ArtsEmerson leadership team on the practice of using the Emerson Paramount Center and Cutler Majestic Theatre marquees for far more than show promotion. We have made a habit...
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October 2, 2017 | Theatre, Notes From Leadership,
Co-Artistic Director P. Carl Named a Ford Foundation Fellow
ArtsEmerson, HowlRound, and Emerson College are proud to share the Ford Foundation’s announcement today, that P. Carl, PhD., is one of the 25 new Artists for Change Fellows. The...
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September 28, 2017 | Theatre,
HOME’s Boston Debut Receives a Standing Ovation
“A technical marvel from start to finish…It’s difficult to convey how incredibly moving it can be.” – South Shore Critic “This is experimental theater that can be enjoyed by...
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