February 8, 2016 | Theatre,
Why I’m Going to See An Octoroon
Why do we go to the theatre? As a student heaping on loans to study an art and way of storytelling started back with the Greeks, this is a questions...
Read MoreWhy do we go to the theatre? As a student heaping on loans to study an art and way of storytelling started back with the Greeks, this is a questions...
Read MoreLevitating rocks, Farkian frogs, flying dragons, space travel? ArtsEmerson is no stranger to adventure, but who could have imagined all this? If your home is like mine, you know that...
Read MoreAs my 21 year old self sat in a movie theater in Harlem at 2pm on a Tuesday alternately sobbing and laughing, I realized my only other film-watching companions...
Read MoreRead more blog articles associated with An Octoroon here! By 1860, approximately ten percent of enslaved people in the American South had at least one white ancestor, often as a...
Read More– In the program interview, playwright Branden Jacobs-Jenkins says, “Melodrama is always about good and evil,” and suggests that we find comfort in this familiar narrative device. How...
Read MoreWhen the Royal Shakespeare Company first commissioned Filter to make a creative response to Twelfth Night as a feature of the great Complete Works project that unfolded in Stratford in 2006–2007, it...
Read MoreOver the years, ArtsEmerson has hosted a few focus groups to hear people’s perceptions of and desires for our programming. One frequent piece of feedback we’ve received is the request...
Read More“Better a witty fool, than a foolish wit.” What did you think of Filter’s Twelfth Night? Did you revel in the madness? Has someone ever tried to...
Read More