January 28, 2016 | Theatre,
The Bard on Our Boards
Over the years, ArtsEmerson has hosted a few focus groups to hear people’s perceptions of and desires for our programming. One frequent piece of feedback we’ve received is the request...
Read MoreOver the years, ArtsEmerson has hosted a few focus groups to hear people’s perceptions of and desires for our programming. One frequent piece of feedback we’ve received is the request...
Read More“Better a witty fool, than a foolish wit.” What did you think of Filter’s Twelfth Night? Did you revel in the madness? Has someone ever tried to...
Read MoreOr, What You Will Hooray! It’s Twelfth Night! You know that catchy little holiday song “Twelve Days of Christmas”? Well, we’ve arrived at the Pipers Piping part of...
Read MoreWhat is it about Shakespeare that has everyone itching to try him on in as many different decades and locations as humanly possible? Does every production of Two Gents have...
Read MoreWhy so much Shakespeare? Isango Ensemble’s operatic adaptation of A Midsummer Night’s Dream seemingly just left the Cutler Majestic and now we’re gearing up for Filter Theatre’s Twelfth Night, coming to...
Read More“Intentionally different. Entirely ArtsEmerson.” If you’ve been following along this year, you’ll recognize that locution. We have been using it to describe the entire season, to let you...
Read MoreTOP: Tremont Street as it appeared during the ‘great blackout’ of 1965. The Saxon theater on the right is in fact the Majestic (before it became an adult theater—The Agony...
Read MoreThe New England work flow was once described to me as unrelenting amounts of work in the fall, a pause for the holidays, brief interruptions from snow, a heavy churn...
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