Mozart’s classic opera, The Magic Flute, has been completely re-imagined, transformed and translated into multiple languages (including English, Xhosa, Zulu and Tswana) by the Isango Ensemble— but the story remains the same! Before you get swept into the magical world created by this brilliant South African troupe, brush up on the plot of this classic story:
ACT ONE
Tamino, a young traveler who is passing through the realm of the Queen of the Night, is being pursued by a fire-breathing beast. He cries for help and faints with terror. Three Ladies—warriors of the Queen—hear his cries and spear the beast. Seeing how handsome the young man is, they go to tell the Queen what happened. Papageno, a bird catcher, is trying to lure birds into his net using his whistle. As Tamino regains consciousness, the birds are scared away. Papageno is a natural improviser and he claims credit for killing the fire-breathing beast. The Three Ladies reappear and punish Papageno for his lie by locking his mouth with a padlock. They show Tamino a picture of the Queen’s daughter, Pamina, whom they say has been kidnapped by an evil man—Sarastro. Tamino falls in love with the picture and promises to rescue the beautiful girl. The Queen of the Night arrives and urges a very frightened Tamino to keep his promise to rescue Pamina. To help him, he is presented with a Magic Flute. Papageno’s padlock is removed and he is ordered to help Tamino and given a set of magic bells. Both instruments, bells and flute, have the power to help the owners and to change evil into good. Three spirits materialize. They send the Ladies to sleep and offer to guide the men to Sarastro’s camp. Papageno and Tamino are pointed in the right direction but get separated. Papageno by chance happens upon Pamina with her jailer, Monostatos. Rescuing Pamina, Papageno shows her a picture of Tamino, and she falls in love with him. Tamino meanwhile has been led by the Spirits to the outside of the camp. He meets a Comrade of Sarastro who tells him that Sarastro is not evil but good. In his confusion and despair, Tamino plays the Flute and is answered by Papageno’s bird whistle. He runs in the direction of the sound but misses the escapees. Monostatos recaptures Papageno and Pamina, but Papageno plays his magic bells and Monostatos is seduced by their enchantment. As they make to escape again, Sarastro’s arrival is announced. Pamina tells Sarastro she was escaping from Monostatos, partly because he attempted to rape her. Monostatos, who has managed to capture Tamino, demands that Sarastro put the intruder to death. Sarastro is angered at the behavior of Monostatos towards Pamina and has him imprisoned instead. He then orders that Tamino attempt various trials to prove he is worthy of Pamina’s love. Papageno reluctantly accompanies him.
ACT TWO
At a meeting of the elders, Sarastro proposes that Tamino undergoes initiation into their Brotherhood. If Tamino is successful in the trials, Sarastro proposes that he will hand joint power to both Pamina and Tamino. The elders are at first outraged that a woman should jointly rule over them, but after some hesitation they agree to the plan. The first of the trials undertaken by Tamino and Papageno is a trial of silence. Pamina appears and innocently tries to speak to her lover; he refuses to answer her words of love and she leaves broken-hearted. Papageno, however, cannot manage to keep quiet and he fails the first trial. The Queen of the Night appears and orders Pamina to kill Sarastro, giving her a knife for the task. Sarastro’s Comrades try to restrain the Queen but are killed by her soldiers as she escapes. In spite of this, Sarastro still pursues his doctrine of forgiveness and reconciliation and refuses to seek revenge. Heartbroken and depressed at Tamino’s rejection, Pamina attempts suicide but is restrained by three Spirits. Having completed the trial of silence, Tamino is reconciled with Pamina, and she undertakes to complete his trials with him. Together they complete the second trial, the trial of fire, and go on to the third trial, the trial of water. At first it appears that they have drowned, but they are revived and Tamino completes his initiation. Papageno, upset at his failure with the trials and disheartened by his failure to find a woman, contemplates suicide but is stopped by the three Spirits who introduce him to the girl of his dreams, Papagena. Guided by the wicked Monostatos, the Queen of the Night makes another attempt on Sarastro’s life but fails. Sarastro holds out his hand to her offering reconciliation; she refuses and leaves as the Comrades celebrate the dawn.
“Isango has created a global village, where cultures blend and joy unfolds.”
— The Boston Globe
“The vocal talent and musicality of Isango Ensemble is astounding.”
“There is a spiritual fusing of traditions here that adds a whole new dimension to what we consider opera.”
— Theatre Mirror
“Few productions can match the colorful exuberance and pulsating energy of this Flute, or field as versatile a cast as this, in which every member sings, dances and drums.”
— The New York Times
★★★★★ “Thrillingly, heart-burstingly alive”
— Financial Times
★★★★★ “Musical Magic”
— Time Out
★★★★★ “Stunning”
— Sunday Express
“A brilliant, spirit-lifting, wildly inspired and wholly seamless fusion of European and African traditions.”
— The Chicago Sun Times
“A sense of celebration and resilience, that seems to encapsulate the human spirit at its best.”
— The Telegraph UK
“You haven’t heard Mozart until he’s been played on marimbas”
“Infectious, pulsating performance”
— The Washington Post
“Leaves you with a rare sense of life-enhancing joy.”
— Sunday Times UK
“The voices are electrifying”
“Pure loveliness”
— DC Theatre Scene
“A continuous joyride”
“Euphoric one-of-a-kind experience”
“Vibrant storytelling”
— DC Metro Theatre Arts
“Must-see theatre”
“Filled with a depth of sound and feeling that was infectious”
“A true ensemble”
“Perfect for any age”
— Broadway World
“Extraordinary and wonderful”
“The orchestra becomes the breath and life force of the production”
“Fluid choreography of dance, triumphant harmonies of voice and joyous instrumentations”
“For lovers of opera or Mozart or theatre or music or South Africa, The Magic Flute is not to be missed”
— MD Theater Guide
October 24, 2014
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